PROJECT AIMED AT ESTABLISHING AN INVENTORY OF REPRESENTATIVE WORKS OF WORLD NON-PROFESSIONAL CINEMA

TO UNICA MEMBER FEDERATIONS

The launching of a project aimed at setting up an inventory of representative works of world non-professional cinema has been effective since the General Meeting of UNICA on August 19, 2003 in Warsaw; thanks to the unanimous approval given by twenty eight members to the report which I submitted about the activities of IFTC (Internati­onal Council of Television, Cinema and Audio-visual Communication at UNESCO).

This project is part of the action undertaken by UNESCO - in co-operation with IFTC - to draw the attention of the whole world to the value of various form s of cinematographic ex­pression (feature films, documentary, animation).The purpose is not to set up a prize list in “the best of the best" style, but to raise awareness, stimulate curiosity and help people to explore this prominent medium of cultural diversity whose protection and promotion are among the top priorities of UNESCO. By, “representative works" we mean ail works that can be identified as having special significance as testimonies of a given period of time, a culture, a style, or technical progress or having special value for whatever specific reason.

The project has been included in a UNESCO programme, with a corresponding budget line. It was officially launched by the UNESCO Director-General and the President of IFTC in May 2002. As far as professional film-making is concerned, the Member States have been consulted in the course of July 2003 and IFTC initiated an inquiry among all non-governmen­tal correspondents (historians, critics, journalists, curators, producers, festivals...).

UNICA and all member federations are to join the project and offer the contribution of non-professional film-makers by setting up an inventory of works representative of non-professional cinema, presenting them and ensuring their conservation. Our contribution will, of course, be somewhat different from that applying to professional cinema. This project will also be an opportunity for UNICA and all member federations to enhance its own film heritage and, if necessary, to promote conservation measures.

I would like to thank you for your commitment to this effort.

Sincerely yours

Serge Michel, UNICA Vice-president, UNICA Delegate to IFTC